Criar um Site Grátis Fantástico
Little Carthaginian: The Little Carthaginian, Pseudolus, the Rope Vol. IV (1970, Hardcover) by read online ebook DJV, EPUB

9780674992863


0674992865
Plautus (Titus Maccius), born about 254 BC at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies. Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300-250 BC transferred to the Roman stage of about 225-185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant). The Loeb Classical Library edition of Plautus is in five volumes., Plautus (Titus Maccius), born about 254 BCE at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies.Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300-250 BCE transferred to the Roman stage of about 225-185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant).The Loeb Classical Library edition of Plautus is in five volumes.

Little Carthaginian: The Little Carthaginian, Pseudolus, the Rope Vol. IV (1970, Hardcover) by EPUB, TXT, FB2

Geoff Gillhame(tm)s plays are of immediate interest and relevance to today's theater in education workers, youth leaders interested in theater, teachers, student teachers and lecturers.Deborah Stein, Let Bygones Be by Gamal Abdel Chasten, Lobster Boy by Dan Dietz, The Method Gun by Kirk Lynn, Phoenix by Scott Organ, Post Wave Spectacular by Diana Grisanti, Sirens by Deborah Zoe Laufer, This unique compilation features an exceptional array of work by some of the most exciting new voices in the American theater, including the full-length plays 'Ground' by Lisa Dillman, 'The Cherry Sisters Revisited' by Dan O'Brien with music by Michael Friedman, 'Phoenix' by Scott Organ, 'Sirens' by Deborah Zoe Laufer, and many more.In Iphigenia, his ninth play, Racine returns to Greek myth for the first time since Andromache.Through our interactive Discovery Method, you'll: Practise the most frequent words and expressions for: greeting people, asking for directions, ordering food and more.Includes: Salaam Huey Newton, Salaam (Ed Bullins) * Naomi in the Living Room (Christopher Durang) * The Man Who Climbed the Pecan Trees (Horton Foote) * Teeth (Tina Howe) * Sure Thing (David Ives) * Christmas Eve on Orchard Street (Allan Knee) * Akhmatova (Romulus Linney) * Unprogrammed (Carol Mack) * The Cherry Orchard (Richard Nelson) * Hidden in This Picture (Aaron Sorkin) * Boy Meets Girl (Wendy Wasserstein) * Abstinence (Lanford Wilson)., Includes plays by Christopher Durang, Horton Foote, Tina Howe, David Ives, Alan Knee, Romulus Linney, Carol Mack, Richard Nelson, Aaron Sorkin, Wendy Wasserstein and Lanford Wilson., Scripts for 12 short plays complete with bios on each author.You seem to have really hit the message home to them.Typically Saroyan in their graceful, acrobatic use of language, these plays have a breadth, a universality, and a somber outlook rarely seen in his works.Warsaw Visitoris a retelling of the Faust legend with Saroyan himself as Faust.Tales from the Vienna Streetsfinds Saroyan making a rare excursion into the sociopolitical arena.Persecuted by a zealous archbishop, Sister Juana's world threatens to crumble around her as everything she holds dear is jeopardised by dangerous ambitions and illicit desires., Sister Juana writes dazzling plays, but her freedom of expression is threatened when a new archbishop arrives at her seventeenth century convent.